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December 12, 2020

the refugees viet thanh nguyen

Nguyen's next fiction book, The Refugees, is a collection of perfectly formed stories written over a period of twenty years, exploring questions of immigration, identity, love, and family. Review: In Viet Thanh Nguyen’s ‘The Refugees,’ wistfulness is an anthem of displacement Writer Viet Thanh Nguyen’s new book is the short story collection “The Refugees… The opening story, ‘Black-Eyed Women’ . Viet Thanh Nguyen was born in Vietnam and raised in America. Viet Thanh Nguyen's The Sympathizer was one of the most widely and highly praised novels of 2015. A lovely nuanced theory of visitation.” —Lucy Kogler, Talking Leaves Books, Asian Pacific American Librarians Association Honor Award The only kind I enjoyed concerned my father when he was a man I did not know, young and happy. . . With anger but not despair, with reconciliation but not unrealistic hope, and with genuine humour that is not used to diminish anyone, Nguyen has breathed life into many unforgettable characters, and given us a timely book focusing, in the words of Willa Cather, on ‘the slow working out of fate in people of allied sentiment and allied blood.’” —Yiyun Li, Guardian, “Delicately captures the traumas and triumphs of the migrant experience . . . Newsletters, offers and promotions delivered straight to your inbox. . Nguyen and his family eventually settled in San Jose, which at the time was the second largest Vietnamese refugee community in the United States. . . Each intimate, supple, and heartrending story is unique in its particulars even as all are works of piercing clarity, poignant emotional nuance, and searing insights into the trauma of war and the long chill of exile, the assault on identity and the resilience of the self, and the fragility and preciousness of memories.” —Booklist (starred review), “For Nguyen groupies desperate for future titles (including a Sympathizer sequel), [The] Refugees is a highly gratifying interlude. . Uncle confirmed it when I called. In "The Americans," a married couple visit their daughter, who works as an English teacher in Saigon. . Nguyen handles the subject matter with empathy and sociopolitical awareness. But there are others of different nationalities, alienated not from a nation but from love or home, and displaced in subtler ways . . Nguyen’s next fiction book, The Refugees, is a collection of perfectly formed stories written over a period of twenty years, exploring questions of immigration, identity, love, and family. . Sept. 2, 2016 ... No. They are complicatedly human and deserving our care and empathy . . . . . . For his next project, acclaimed author Viet Thanh Nguyen (The Sympathizer) has taken on the role of editor. His are rich, transformative tales whose truths run deep and whose characters’ plights move us.” —Malcolm Forbes, National (Abu Dhabi), “A tremendously compelling read. When the writer's mother mentions that she was visited by the ghost of her son, killed by pirates on the boat voyage to America, the writer wonders whether she might be on the verge of senility. . The writing, as I am told has been said, is as good as The Sympathizer, but a comparison is really not necessary. . with a unique poetry.” —Fatima Bhutto, Financial Times (UK), “With President Trump’s recent attempt to ban refugees from entering America, the quiet but impressively moving tales dissecting the Vietnamese experience in California in Viet Thanh Nguyen’s The Refugees are a powerful antidote to all the fear mongering and lies out there . . [A] poignant collection of short stories . . It’s hard not to feel for Nguyen’s characters . The characters in his stories are mainly Vietnamese citizens and their families, forced out of their country at the end of the Vietnam War, trying to make a home in a strange new land. Each comes to the United States out of the necessity to make a better life. . . But then she herself gets a visit from her brother's ghost, and realizes her lifelong struggle to forget him has always been doomed to fail. . I go hunting for the ghosts, something I can do without ever leaving home," she muses. Ultimately, Nguyen enlarges empathy, the high ideal of literature and the enemy of hate and fear.” —Boris Kachka, New York, “The 2016 Pulitzer Prize winner returns with a beautifully crafted collection that explores the netherworld of Vietnamese refugees, whose lives and cultural dislocation he dissects with precision and grace.” —O, The Oprah Magazine, “The Refugees showcases the same astute and penetrating intelligence that characterized [Nguyen’s] Pulitzer Prize-winning novel The Sympathizer . His message is not Pollyannaish or demonizing . He is the author of The Sympathizer, which was awarded the 2016 Pulitzer Prize for Fiction alongside seven other prizes. . . [Nguyen’s] understanding of the refugee tragedy . . Viet Thanh Nguyen’s The Sympathizer was one of the most widely and highly praised novels of 2015, the winner not only of the 2016 Pulitzer Prize for Fiction but also the Center for Fiction First Novel Prize, the Edgar Award for Best First Novel, the Andrew Carnegie Medal for Excellence in Fiction, the Asian/Pacific American Award for Literature, and the California Book Award for First Fiction. . 482 quotes from Viet Thanh Nguyen: 'Nothing is ever so expensive as what is offered for free. Nguyen’s vision of the Vietnamese migration to the United States and its impact on the nation is complex. . With The Refugees we are beginning to get a sense of the immensity of Viet Thanh Nguyen’s ability as a writer and thinker.” —Paul Yamazaki, City Lights, San Francisco, “Viet Thanh Nguyen really has pulled off a literary hat trick, in quick succession at that—brilliant novel (The Sympathizer), brilliant non-fiction study (Nothing Ever Dies)—and now, with The Refugees, a superb, brilliant book of stories. Nguyen writes . In Liem’s case, it is also apparent that escaping Vietnam was a difficult choice in and of itself, because it meant having to leave his family, as well as the only life he had ever known. A worthy reminder that refugees are children, mothers, and fathers–not just casualties.” —Thu-Huong Ha, Quartz, “Excellent . ', and 'I could live without television, but not without books.' From the author of The Sympathizer, winner of the 2016 Pulitzer Prize for Fiction, The Refugees is a collection of stories imbued with Nguyen’s extraordinary gift for writing, exploring questions of home, family, immigration, and the American experience. [A] superb new collection . . Finally there was her favorite kind, the ghost story, of which she knew many, some even firsthand. The stories in The Refugees [are] haunting and heart-wrenching, but also wry and unapologetic in their humanity . Even if you've read the news reports or seen the horrifying photographs, it's hard to fathom the terrible extent of the Syrian refugee crisis. Harrowing yet heartening . . Dedicated to “all refugees, everywhere,” The Refugees is a selection of nine stories from Nguyen’s 20 years of writing. . But Nguyen never asks the reader to pity them; he wants us only to see them as human beings. . An exquisite book.” —Megan Mayhew Bergman, Washington Post, “The Refugees arrives right on time . . . And because of his wonderful writing, it’s impossible not to do so. Sharp, sardonic, poignant and profoundly human . . . haunting, beautiful and urgent.” —BookReporter.com, “A luminous collection . This is an important and incisive book written by a major writer with firsthand knowledge of the human rights drama exploding on the international stage–and the talent to give us inroads toward understanding it . The collection’s subtle, attentive prose and straightforward narrative style perfectly suit the low-profile civilian lives it explores . Viet’s stories succeed.” —Akhil Sharma, Electric Literature, “A remarkable work of fiction.” —Bustle (“15 of 2017’s Most Anticipated Fiction Books”), “Both a timely work of fiction and an artistic retrospective of a community’s voyage over the decades.” —Paul Taunton, National Post (Buzz-worthy Books for February), “Nguyen’s brilliant new work of fiction offers vivid and intimate portrayals of characters and explores identity, war, and loss in stories collected over a period of two decades.” —Millions (Most Anticipated Book Previews), “A collection of stories that could not be any more relevant for the years that lie ahead. As one of Nguyen's character reflects, "Stories are just things we fabricate, nothing more. A short-story collection mostly plumbing the experience of boat-bound Vietnamese who escaped to California . The United States has accepted more than 10,000 Syrians fleeing the country's civil war, but that's a drop in the bucket — millions of Syrians have been forced out of their home country, hoping other nations will take them in. I love the line from the nameless narrator talking to her ghost brother: ‘Why have you come back?’ . all Nguyen’s fiction is pervaded by a shared intensity of vision, by stinging perceptions that drift like windblown ashes.” —Joyce Carol Oates, New Yorker, “These stories of Vietnamese refugees cast a lingering spell . This work should be on everyone’s shelves for itself.” —Steve Bercu, BookPeople, “Viet’s writing in The Sympathizer reminded me of Ravel’s Bolero . Nguyen has a remarkable eye for detail that allows him to cast every image with real emotional force . It’s an urgent, wonderful collection that proves that fiction can be more than mere storytelling—it can bear witness to the lives of people who we can’t afford to forget.” —Michael Schaub, NPR Books, “The Refugees is as impeccably written as it is timed . . . . It's hard not to feel for Nguyen's characters, many of whom have been dealt an unfathomably bad hand. Being surrounded by fellow refugees gave Nguyen a sense of his Vietnamese heritage and greatly impacted his writing, especially The Sympathizer. . . Nguyen, whose most recent novel "The Sympathizer" won a Pulitzer Prize in 2016, will be reading from his new short story collection The Refugees, a captivating testament to the dreams and hardships of immigration. The book begins with the haunting "Black-Eyed Women," about a ghostwriter who lives with her mother; both were refugees from Vietnam. As our first major Vietnamese-American writer, Nguyen is a prodigious genius making up for lost time.” –Marion Winik, Newsday, “At a time when paranoia about refugees and migrants has reached a new high in America and perhaps the world, Viet Thanh Nguyen’s first collection of short stories, The Refugees, adds a necessary voice humanizing this group of demonized people . --Financial Times (UK) "At a time when paranoia about refugees and migrants has reached a new high in America and perhaps the world, Viet Thanh Nguyen's first collection of short stories, The Refugees, adds a necessary voice humanizing this group of … It's an urgent, wonderful collection that proves that fiction can be more than mere storytelling — it can bear witness to the lives of people who we can't afford to forget. Viet Thanh Nguyen was born in Vietnam and raised in America. I was bringing dinner to the table when I saw Aunt Six sitting there in her nightgown. By Viet Thanh Nguyen. Unlock with LitCharts A+ By Claire Fallon. predecessor . . but to challenge the experience of white America as the invisible norm.” —Publishers Weekly (starred, boxed review), “A collection of fluidly modulated yet bracing stories about Vietnamese refugees in the U.S., powerful tales of rupture and loss that detonate successive shock waves . He pairs brutally authentic realism with lyric narratives to ultimately resonate with haunting truth . And because of his wonderful writing, it's impossible not to do so. . He is the author of The Sympathizer, which was awarded the 2016 Pulitzer Prize for Fiction, the Andrew Carnegie Medal for Fiction, the Center for Fiction First Novel Prize, the Edgar Award for First Novel, the Asian/Pacific American Award for Literature, and the California Book Award for First Fiction. . . When I asked her what she was doing here, she just smiled. . . Nguyen started writing The Refugees, a short-story collection, in 1997 and didn’t finish it until 2014. Dedicated to all refugees, everywhere, Nguyen’s absorbing prose about people forced to leave their homes and begin anew should be mandatory reading for 2017.” —AM New York (2017 Books to Read), “A heart-rending work exploring themes of identity, culture, family, immigration, alienation, and the desire to belong . . . . . it still comes as a revelation just how beguiling these stories are. . Forthcoming in February 2017. When I turned around again to see her, she was gone. . This is beautiful, telling work—once again!” —Rick Simonson, Elliott Bay Book Company, “The Refugees continues our opportunity to get to know Viet Thanh Nguyen, who we met with The Sympathizer. It was her ghost. Ever since my father died a few years ago, my mother and I had lived together politely. “The Refugees” by Viet Thanh Nguyen Grove Press, 209 pp., $25. His new short story collection explores the refugee experience — and draws from his own. . Named One of 100 Must-Read Contemporary Short Story Collections by Book Riot. . An Indie Next Selection Nguyen, Viet Thanh. . The second piece of fiction by a major new voice in American letters, The Refugees is a beautifully written and sharply observed book about the aspirations of those who leave one country for another, and the relationships and desires for self-fulfillment that define our lives. . Nguyen’s next fiction book, The Refugees, is a collection of perfectly formed stories written over a period of twenty years, exploring questions of immigration, identity, love, and family. It's a beautiful collection that deftly illustrates the experiences of the kinds of people our country has, until recently, welcomed with open arms. . . I am a refugee who, like many others, has never ceased being a refugee in … Longlisted for the Aspen Words Literary Prize . Again, he focuses on Vietnamese immigrants who go to the States after the fall of Saigon. The eight unpredictable and moving stories that make up The Refugees are a remarkable achievement.” —Tom Zelman, Minneapolis Star Tribune, “With masterful economy and ease, the Pulitzer Prize-winner subverts our expectations of the refugee experience . The writing in The Refugees is resonant and evocative, abounding with delightful descriptions . The Refugees' Pulitzer Prize-winning author Viet Thanh Nguyen shares memories of being a refugee from South Vietnam. The book takes place over two and a half decades, from the late 1970s to the early 2000s, and is told in both the first and third persons. . ‘Black-eyed Women’ totally enveloped me. Named a Best Book of the Year by NPR, San Francisco Chronicle, Esquire, BuzzFeed, Electric Literature, Chicago Public Library, National Post, Kirkus Reviews, BookPage, and Goodreads . The experiences are riveting, compelling, and ring true. . . . He is also the author of the short story collection The Refugees, the nonfiction book Nothing Ever Dies, a finalist for the National Book Award, and is the editor of an anthology of refugee writing, The Displaced. . A new collection of short stories by Viet Thanh Nguyen will change that . He instinctively understands what to leave off the page and what to include, and when to allow readers to fill in the most painful details for themselves.” —James Grainger, Toronto Star, “[An] accomplished collection . . is a superbly orchestrated piece of writing, with many movements and depths, moving across generations . Nguyen is an expert on prickly family dynamics . . It's an urgent, wonderful collection that proves that fiction can be more than mere storytelling — it can bear witness to the lives of people who we can't afford to forget. In The Refugees, such figures aren’t, contra Trump, an undifferentiated, threatening mass. . But Nguyen never asks the reader to pity them; he wants us only to see them as human beings. Read it now, or read it later—but read it.” —Claire Fallon, Huffington Post, “The Refugees is full of complicated family dynamics, cultural rifts and surprising resolutions . . The Refugees.First edition. I’ve come here.’ YES, I say to that. Viet Thanh Nguyen [is] one of our great chroniclers of displacement . He is the Aerol Arnold Professor of English and American Studies and Ethnicity at the University of Southern California and a recipient of fellowships from the Guggenheim and MacArthur foundations. . This is a book to savor again and again.” —Jen Forbus, Shelf Awareness, “In these times of looking inward and shutting out, of breaking down bridges and building walls, Nguyen’s eight stark and incisive tales provide valuable, necessary insight into the pain and upheaval of exchanging a homeland for an adopted other . . . It is refreshing and essential to have this work from a writer who knows and feels the terrain on an intellectual, emotional and cellular level–it shows . She lived in Vung Tau and we were in Nha Trang, she said. An Independent Literary Publisher Since 1917. Yet, the abiding power of these intelligent, crafted stories is his reading of human nature in domestic situations and often astute dialogue . . They are also humorous and smart . Despite the many accolades heaped upon Nguyen . APA Citation. [Nguyen’s] stories, excellent from start to finish, transcend ethnic boundaries to speak to human universals.” —Kirkus Reviews (starred review), “Nguyen’s penetrating gaze will mesmerize readers and open windows to the particular nuances of a population struggling to find its identity . Then came stories of terror like the one about the reporter, the moral being that life, like the police, enjoys beating people now and again. a self-effacing writer of stories allegedly more interesting. Nguyen’s flair with words and his genius at succinct, compelling plots and dynamic characters creates huge worlds in few pages. Nguyen's family first settled in Fort Indiantown Gap, Pennsylvania, which was one of four American camps that accommodated refugees from Vietnam. We search for them in a world besides our own, then leave them here to be found, garments shed by ghosts. [A] timely collection . In his first short story collection, writer Viet Thanh Nguyen, who won the Pulitzer Prize in 2016 for his novel The Sympathizer, takes a look at how it feels and what it means to be a refugee. . Every story in The Refugees succeeds on its own terms, but the most affecting one, perhaps, is "The Other Man," about an 18-year-old man named Liem who seeks refuge in America in 1975, after the fall of Saigon. . With the volume turned down, we lean in more closely, listening beyond what the refugees say to step into their skins.” —Mia Alvar, New York Times Book Review, “A beautiful collection that deftly illustrates the experiences of the kinds of people our country has, until recently, welcomed with open arms . After the fall of Saigon, in 1975, his family fled to the United States. . Aunt Six died of a heart attack at seventy-six, she told me once, twice, or perhaps three times, repetition being her habit. Viet Thanh Nguyen's 8-story collection in The Refugees focuses on Vietnamese refugees in complex, interesting and sometimes surprising ways. In The Refugees, Viet Thanh Nguyen gives voice to lives led between two worlds, the adopted homeland and the country of birth. Viet Thanh Nguyen Is The Pro-Refugee Voice America Needs To Hear "Those of us who are refugees and immigrants or who support them, we have to use every tool at our disposal, including our writing." . . . Finalist for the California Book Awards (Fiction) She stood up, kissed me, and turned me towards the kitchen. New York: Grove Press. "-Financial Times (UK)< "At a time when paranoia about refugees and migrants has reached a new high in America and perhaps the world, Viet Thanh Nguyen's first collection of short stories, The Refugees, adds a necessary voice humanizing this group of demonized people . ‘stories are just things we fabricate, nothing more,’ one character declares. . Nguyen’s writing is lyrical and searingly evocative . . . Throughout, Nguyen demonstrates the richness of the refugee experience, while also foregrounding the very real trauma that lies at its core.” —Doree Shafrir, BuzzFeed, “The perfect book to read at this historical moment in America . . Even as he makes a new life for himself in California, he finds himself beset by memories of his narrow escape from Vietnam. . And he feels ill at ease on Vietnamese soil, finding it hard to forget his actions during the war: "The tonnage fell far behind his B-52 after its release, and so he had never seen his own payload explode or even drop, although he watched other planes of his squadron scattering their black seed into the wind, leaving him to imagine what he would later see on film, the bombs exploding, footfalls of an invisible giant stomping the earth." . Nguyen . These are fully human tales, what these vividly rendered characters encounter, all in some way, taking on the shock of arrival in a new land, if not departure from what had been home. . The short story is a beautiful affirmation of the supreme importance of art in our daily lives. What's clear is … A collection of exceptional stories that ring with topicality and truth . . Nguyen, V. T. (2017). Each rather difficult, yet short and provocative. "As he lay on his cot and listened to children playing hide-and-seek in the alleys between the tents, he tried to forget the people who had clutched at the air as they fell into the river, some knocked down in the scramble, others shot in the back by desperate soldiers clearing a way for their own escape," Nguyen writes. Nguyen does not comment much at this moment about the undocumented workers at Arellano and Sons, but one can draw a connection between the immigrants and the refugees of this story. The true power of this collection lies in the way Nguyen subverts stereo—typical notions of the refugee experience, both sharpening and stretching our appreciation of its vast, universal dimensions in stories that range across generations, gender and time . . And it whets your appetite for his next novel.” —Michael Upchurch, Seattle Times, “A terrific new book of short stories . Nguyen’s narrative style—restrained, spare, avoiding metaphor or the syntactical virtuosity on display in every paragraph of The Sympathizer—is well suited for portraying tentative states . A New York Times Notable Book of the Year 2017 Throughout the collection Nguyen crafts a personal language and imagery superbly fitted to each character’s volatile, near-inexpressible memories and reflections. The father has never been to Vietnam, apart from flying it as an American pilot in the war. Viet Thanh Nguyen, author of the Pulitzer Prize-winning novel The Sympathizer, was born in Vietnam and came to the United States with his family as a refugee in 1975. Nguyen’s writing–as polished and powerful as it was in The Sympathizer—confirms the author’s place among today’s most compelling literary voices.” —Lien E. Le, Harvard Crimson, “The stories abound with images of doubleness and surreal twists of perception, often imbuing the narratives with a dreamlike clarity and strangeness . . So, too, is Nguyen’s dedication: ‘For all refugees, everywhere.’” —Anthony Domestico, Boston Globe, “Tragically good timing . . Your purchase helps support NPR programming. . . beautiful and heartrending . She asks, “Was it ironic, then, that I made a living from being a ghost writer?” What elements of her personal story make her career . . Club, “[A] sophisticated collection . The most timely short story collection in recent memory . “Stories about people poised between their devastated homeland and their affluent adopted country . The Virginia G. Piper Center for Creative Writing is a proud co-presenter of Viet Thanh Nguyen at Changing Hands Phoenix. A beautifully written collection, filled with empathy and insight into the lives of people who have too often been erased from the larger American media landscape.” —May-lee Chai, Dallas Morning News, “The Refugees is the book we need now . Her long gray hair, which she usually wore in a chignon, was loose and fell over her shoulders and in her face. . In his first short story collection, writer Viet Thanh Nguyen, who won the Pulitzer Prize in 2016 for his novel The Sympathizer, takes a look at how it feels and what it means to be a refugee. The Refugees is simply a beautiful collection of captivating stories. An essential read for anyone seeking to understand the immigrant experience . I never took her stories seriously. . . These eight works celebrate the art of telling stories as an act of resilience and survival . For short fiction fans of other extraordinary, between-culture collections such as Daniyal Mueenuddin’s In Other Rooms, Other Wonders and Jhumpa Lahiri’s Unaccustomed Earth, Nguyen won’t disappoint.” —Library Journal (starred review), “Precise without being clinical, archly humorous without being condescending, and full of understanding; many of the stories might have been written by a modern Flaubert, if that master had spent time in San Jose or Ho Chi Minh City . Narrator talking to her ghost brother: ‘ why have you come back? ’ of stories! Do so her, she just smiled abiding power of these short stories are bona fide perfect home ”... And sometimes surprising ways haunt our country, so do we haunt theirs she knew,! The States after the fall of Saigon he finds himself beset by of! Could live without television, but also wry and unapologetic in their humanity were in Trang... Stood up, kissed me, and ring true and it whets your appetite his. 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